When Lossless Streaming Matters: Signal Path Conditions
Why lossless streaming often disappears over Bluetooth and built-in hardware limits, based on Apple Music's official ALAC and DAC specifications.
Why lossless streaming often disappears over Bluetooth and built-in hardware limits, based on Apple Music's official ALAC and DAC specifications.
How to choose between open-back and closed-back headphones using residential noise standards (45 dB night vs. 55 dB day) and leakage limits.
Why music sounds thin at low volume according to ISO 226 equal-loudness contours, and the three conditions that matter when choosing nighttime headphones.
How Fishmans and engineer ZAK recorded Uchu Nippon Setagaya inside their private Setagaya studio Waikiki Beach to close out their three-album trilogy.
A look inside the two-year recording of My Bloody Valentine's Loveless across 19 studios, Kevin Shields's budget testimony, and his glide guitar craft.
How Mark Hollis and engineer Phill Brown recorded Talk Talk's final album Laughing Stock in a blacked-out Wessex studio using 70-track tape collages.
A 35-post relay from a Japanese progressive rock board where the original poster listened to every recommendation, from Mandrake to King Crimson and CAN.
A practical late-night audio setup guide covering Spotify -14 dB LUFS normalization, Apple Music Sound Check, and Genelec's 60-degree nearfield angles.
A weekly look at musical negative space across ECM Records, 1980s Japanese environmental music by Hiroshi Yoshimura, and Bill Evans's jazz piano trio.
A structural and acoustic guide to the Bill Evans Trio's June 25, 1961 recordings on Sunday at the Village Vanguard with Scott LaFaro and Paul Motian.